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From American Cookery (1796), by Amelia Simmons:

Shrewsbury Cake.
Half pound butter, three quarters
of a pound sugar, a little mace,
four eggs mixed and beat with
your hand, till very light, put
the composition to one pound
flour, roll into small cakes—bake
with a light oven.

N.B. In all cases where spices are
named, it is supposed that they
be pounded fine and sifted; sugar
must be dried and rolled fine; flour,
dried in an oven; eggs well beat
or whipped into a raging foam.

____________________

I just love that last line: “…eggs…whipped into a raging foam.”
What language! Such imagery! HUZZAH!

In any case, this is the receipt (recipe) that I followed when
making Shrewsbury Cakes for use at the Israel Crane House
this past December. Of course, as you know by now, there
are literally dozens of these out there, and I could’ve used
any one of them. So then, why did I choose Amelia’s?

Well, there were several reasons. Although, I must say, none
were earth shattering! So, let’s see, there were minor things,
such as the fact that American Cookery was published in 1796,
which is the same year that the Crane House was built. That
means, too, her version is appropriate for the early 1800s,
the time period we interpret. The receipt also contains all
the basic Shrewsbury components, without too many extras
thrown in. At the top of the list, however, was that Amelia’s
receipt has very manageable proportions. Yep, it was simple
as that. For instance, her receipt called for just one pound

of flour, as opposed to, say, Eliza Smith’s or Hannah Wolley’s,
which specify three and four, respectively. Thus, there are less
of the other ingredients, as well. So, I could do that. I could
figure it all out. No halving or third-i-fying or whatever all the
quantities. Besides, I knew any receipt, even Amelia’s, would
most likely result in a boat-load of little cakes (and it did), so
why make thousands when you just need hundreds?!

At the same time, I was influenced by all those other receipts.
As you see (above), on the spice front, Amelia’s receipt calls
for mace ONLY. No nutmeg or cinnamon. Not even rosewater.
So I mixed up the batter as written and baked about half of it.
Then I added those other two spices and finished the baking.
I also heeded several of the receipts that instruct the cook
to “prick them before they go into the oven.”

Overall, it was a bit of work, but great fun to do. They were a big
hit with all the visitors to the Crane House that December weekend,
as well.

Incidentally, during the course of my Shrewsbury research, I noticed
that, although these delectable little cakes have a centuries-old history,
they seem to have dropped out of favor by the mid-1800s. I think that’s
a shame. They’re not only delicious, but easy to make, as well. Thus,
I say, let’s join together and start a campaign to bring them back to
the American table. HUZZAH for Shrewsbury Cake!

______________________________

UP NEXT: Ginger-Bread Cakes.

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I’ve just returned from Bolton Mansion, an historic site in Levittown, PA, where
I participated in an 18th Century confectionery class taught by Susan McLelan Plaisted. After spending hours and hours playing with sugar and creating assorted
concoctions, there are two simple words that best describe the experience:
labor intensive.

We began the day with a Syllabub, using a 17th Century receipt (recipe) from Hannah Wolley’s The Queen-like Closet. An intoxicating mixture of cream and wine that’s been infused with

The Confectioner's Workroom

The Confectioner's Workroom

lemon. sugar, and rosemary, it is then whipped into a frenzy of bubbles either with a whisk or a syllabub engine. Hence the name, “syllabub” or “silly bubbles.” The bubbles (only) are spooned out and into an appropriate Syllabub Pot, and after resting for 12 hours, any remaining liquid settles in the bottom, thus leaving the bubbles at top. One then drinks the liquor and eats the bubbles.

Next were confits, a lovely little confection that is still made today. Only two ingredients are required: sugar and caraway seeds (anniseeds, cloves, cinnamon sticks, etc. can also be used). It’s what has to be done with those two items. First, the sugar has to be sleeked, or brought to the first degree (there are nine altogether), by boiling it with water just until a one inch thread can be made when putting a drop between two fingers and pulling. Then caraway seeds are placed in a copper confit pan that’s placed over heat (mmm, the smell of warm caraways!), with a dollop of the 1st degree of sugar, and they’re quickly mixed together, using your hand to rub it against and all around the pan.  Thus, the seeds become enrobed with layer upon layer of sugar, until there are 60 total.  Only 12 layers can be  added at one sitting; go beyond that, and you begin to remove what’s already there.  We only had time to do 12 layers, so we’ve a ways to go!  But they’ll keep, so we can either add more at home or just wait for the “Confectionery II” class.

The third item was an isinglass flummery, a jellied-like concoction that was eaten at the end of a meal in order to cleanse the palate. Isinglass is the air bladders of sturgeons. Added to a “pint of new milk,” sweetened, and mixed with a little orange water, it is then set on the fire and stirred continually until it thickens. At that point, it’s poured into molds and allowed to cool. Finally, take them from the mold, and serve.

Finally, we come to the truly luxurious confection for every wealthy lord and lady of the court: sugar plate. Comprised of pounds of sugar, gum tragan, and a bit of rose water, it is carefully mixed, kneaded, and then formed into scuptures, plates, goblets, mini replicas of buildings, and more. At assorted grand meals in palaces and wealthy homes, entire scenes were constructed out of sugar plate and set up around the banquet hall. These grand creations would last a long time, and they’d be re-used for other meals, or even loaned out to other palaces. In addition, portions of a meal might be served on a plate made of sugar, or wine in a sugar goblet, and guests would eat the food and drink the wine, then top it all off by eating the plate and the goblet.

All in all, it was a very productive day of re-creating confections of past centuries.  Huzzah!

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