After spending a day happily sharing the joys of hearth
cooking with a gaggle of Homeschoolers (and eating the
results) at The Israel Crane House, my next Big Event was
to do basically more of the same with about 60 teachers
at the Queens County Farm Museum (QFM). I had devised
a “menu” for the QFM event about a month earlier, and so
I knew I needed to prepare several items a day or two
in advance, including baking a batch of Naples Biskets.
I also had a Seed Cake to make for the Culinary Historians
of New York (CHNY) program that was to take place the day
after my adventures at the Crane House. And believe me,
scheduling all these required cooking tasks during that
hectic week was vital! Thus, I spent that Sunday and
Monday baking both the Biskets and the Cake.
TA-DA! The Naples Biskets:
Hmmm, do I see a Carrot Pudding in my future?:
Naples Biskets were typically made to be used in other dishes.
However, I did find awhile back an instance in a period novel
where they were eaten by themselves. And although receipts
for Naples Biskets are ubiquitous, they also tend to be quite
different from one another. I have two that I frequently use,
and both are unique. The one below is what I employed this
round. It’s taken from John Nott’s The Cooks and Confectioners
Dictionary, (1726, 3rd edition):
To make Naples Biskets.
Take a Pound and half of fine Flour,
and as much double-refined Sugar,
twelve Eggs, three Spoonfuls of
rose-water, and an Ounce and half
of Carraway-seeds finely powdered,
mix them all well together with Water;
then put them into tin-plates, and bake
them in a moderate Oven, dissolve some
Sugar in Water, and glaze them over.
As for the CHNY program, it was to feature Anne Willan, who’s
written a book based on the vast collection of historic cookbooks
she and her husband have acquired through the years. In keeping
with that “history” theme, original receipts selected from works
in the Willan’s collection were sent out to those who’d be creating
the evening’s refreshments. Before seeing all of them, I picked
the one for Seed Cake. I’ve made them before, so I figured it’d
be fairly quick ‘n easy, especially considering the somewhat
limited time I’d have that week.
Unfortunately, this is the only picture I have of my Seed Cake:
Below is the receipt. It’s from The Compleat Housewife,
by E. Smith (1727):
To make a fine Seed Cake or Nun’s Cake
Take four pounds of your finest flour,
and three pounds of double-refin’d
sugar beaten and sifted, mix them
together, and dry them by the fire
till you prepare your other materials.
Take four pounds of butter, beat it
in your hands till it is very soft like
cream, then beat thirty-five eggs,
leave out sixteen whites, and strain
out the treddles of the rest, and beat
them and the butter together till all
appears like butter; put in four or five
spoonfuls of rose or orange-flower-
water, and beat it again; then take
your flour and sugar, with six ounces
of carraway-seeds, and strew it in
by degrees, beating it up all the time
for two hours together; you may put
in as much tincture of cinamon or
ambergrease as you please; butter
your hoop, and let it stand three
hours in a moderate oven.
Now, I’ve made a few Seed Cakes in the past, and I’ve always
used a receipt in Hannah Glasse’s The Art of Cookery (1747),
which, coincidentally, just happens to be an exact match to
the one above! So I announced to everyone that perhaps
Ms. Willan had made a mistake, that it should be attributed
to Glasse and not Smith. Well, not so fast! Turns out this is,
most definitely, courtesy of Smith’s book; seems it’s Glasse
who stole, er, “borrowed,” it from her. Oops. Silly me!
However, soon after I felt somewhat vindicated when I noticed
that the receipt Willan sent for “A Crookneck or Winter Squash
Pudding,” which she stated is from Lucy Emerson’s cookbook,
The New England Cookery (1808), is indeed a mistake. You see,
Emerson plagiarized, lock, stock ‘n barrel, Amelia Simmons’
American Cookery (1796). Tsk! (And an “oops, silly me”
for Ms. Willan.)
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NEXT: Teachers and Carrot Puddings at the Queens County
Farm Museum and a return to the Crane House


























































