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To continue with our open hearth vs cast iron cook stove
thread, here are the second set of the 12 reasons I think
the hearth is the best option. Not to mention, it’s my
personal preference, as well. HUZZAH!

The other reasons I think a hearth is better are:

7.) See the reflector oven below? Well, if you traded your
open hearth for one of them fancy cast iron cook stoves,
you can kiss it goodbye. In fact, you can say farewell

to the roasting of any and all meats entirely. Sure,
you can put it in the stove’s oven, but that merely
BAKES it. Dries it out. Yes, eventually various stove
models were developed to accommodate similar tin
ovens, but who wants to wait ’til then to enjoy a bit
o’ juicy ‘n delicious roast beef?! Or a pair of roasted
squab? (Not to mention, will you be able to afford
yet another new stove?! And then learn its quirks?!)

8.) The issue of, oddly enough, safety. With an open
hearth, you SEE the fire. It’s right there. It’s huge. It’s
blazing. You SEE the piles of hot coals and/or the pots
set on them, and thus you know where NOT to walk.
Acquire a cook stove, and although it’s contained in
that little box, you can’t SEE the fire. You can’t always
tell if it’s on or not (hmmm, sounds like those modern
ceramic tops!). Sure, it looks harmless, but lay something
on top or lean against it absentmindedly and…yowza!

9.) Pesky installation issues: You couldn’t just visit your
local mercantile, buy a cook stove, bring it home, put it
in your kitchen, and start it up. No. Your new cast iron
monster requires a chimney, just as your fireplace did.
But you can’t just set it in the fireplace and be done
with it. No, again! You’d also have to buy and install
miles and miles and MILES of stove pipe, which’d have
to go from the stove over to and up your pre-existing
fireplace chimney; OR over and into the wall above it,
then up that same chimney; OR into that wall, up and
out an additional flue that you’ve hollowed out of, well,
um, somewhere! Nevertheless, hope you’re good with
carpentry and masonry. And engineering. And…. Oh,
by the way, when a cook stove was installed, more
than likely, your fireplace was rendered inoperable.
Sorry ’bout that!

10.) I’ve heard MANY times that a “benefit” of having
a stove is that the menfolk of a household no longer
needed to hang around as much. You see, supposedly,
less chopped ‘n split firewood is required for a stove
as for a fireplace. HA! Let’s just put an end to that
myth right now! Not only were the men (and anyone
handy with an ax) needed, they were needed MORE.
The reason is simple: pretty much any size log could
be burned in a fireplace (even those massive holiday
“Yule Logs”), but that is NOT the case with a cast iron

cook stove. In fact, the wood has to be chopped up
and split into smaller pieces, so it’ll fit into a stove’s
enclosed, limited-space firebox. Of course, the size
of individual pieces depended somewhat on your
stove’s specific dimensions, just as it did with the
size of your hearth, but overall, no matter how big
or small it was, any and all firewood had to be cut
to fit.

A perfect example of using firewood that was not
the best size could be seen awhile back on the PBS
documentary wherein the staff of Cooks Illustrated
re-created an entire meal using adapted receipts
from Fanny Farmer’s cookbook.* I had to chuckle
repeatedly as the cooks struggled with the fire
in the cook stove. They kept trying to stuff full-
sized-but-split logs into its firebox! Your pieces
were too big, people! Of course, using such big
chunks of wood seriously affected the cooks’
ability to regulate the flames and therefore, the
cooking temperatures. Ahh, if only they’d used
smaller, more appropriately-sized pieces! I doubt,
however, that anyone involved with the production
had bothered to hone his or her wood chopping
and splitting skills. Oh well….

11.) In conjunction with this provision that the wood
used in a cast iron cook stove must be smaller than
that for a fireplace: it also means the wood’s gonna
burn faster, and so it has to be replaced more often.
You’re constantly having to feed the fire. Which takes
time away from any cooking. If you wait too long to
add more wood, or just haven’t gotten to it, and then,
oh dear, your fire goes out…! Ahh well, maybe your
family and guests weren’t all that hungry, anyway?!

Let’s pause here briefly, and take a look at what
the author of The Housekeeper’s Book (1837) says
about these very issues:

…I am sure it is not possible [sic]
to have cooking in perfection,
without a proper degree of heat,
and, as far as my observation
has gone, meat cannot be well
roasted unless it be before
a good fire.

She then continues:

A cook has many trials of her
temper, but none so difficult
to bear as the annoyance
of a bad fire; for with a bad
fire she is never able to cook
her dinner well, however much
she may fret herself in the endeavour;

12.) The home fire: as many commentators of the 1800s
lamented, say, “So long” to family values when you
trade your open hearth for a cook stove. Yep, there’ll
be no more gathering of family and friends ’round
the hearth. No more sittin’ before a blazing fire,
with folks telling stories, pluckin’ tunes on a fiddle,
daughters practicing their sewing, and sons their
newly-acquired whittling skills. Yep, just whisper,
“It’s been nice knowing you” to that welcoming
ambiance of a roaring fire, with its flickering flames
dancing on the floor and walls. Yes, indeedie, it’s
all about to disappear (and did). Unfortunately,
snuggling up to a hot coal-black metal box just
wasn’t the same as gatherin’ round the hearth.
Alas, it was the end of the world as the common
woman (and man) of the 19th century had known it.

Finally, here’s another passage I found that comments
on a later “past vs the future” debate. It’s from Coon
Tree
, by E.B. White (1956!). Compare his comments
on the “progress” of his time with that in the piece
I shared above. Clearly, the more things change,
the more they remain the same:

We have two stoves in our kitchen
here in Maine—a big black iron stove
that burns wood and a small white
electric stove that draws its strength
from the Bangor Hydro-Electric Company.
We use both. One represents the past,
the other represents the future. If we
had to give up one in favor of the other
and cook on just one stove, there isn’t
the slightest question in anybody’s mind
in my household which is the one we’d
keep. It would be the big black Home
Crawford 8-20, made by Walker & Pratt,
with its woodbox that has to be filled
with wood, its water tank that has to
be replenished with water, its ashpan
that has to be emptied of ashes, its
flue pipe that has to be renewed when
it gets rusty, its grates that need freeing
when they get clogged, and all its other
foibles and deficiencies. We would choose
this stove because of the quality of its
heat, the scope of its talents, the warmth
of its nature (the place where you dry
the sneakers, the place where the small
dog crawls underneath to take the chill
off, the companionable sound it gives
forth on cool nights in fall and on zero
mornings in winter). The electric stove
is useful in its own way, and makes a
good complementary unit, but it is as
cold and aseptic as a doctor’s examining
table, and I can’t imagine our kitchen
if it were the core of our activity.

There you have it. If I lived back in say, 1836, I’d definitely
prefer an open hearth over a cast iron cook stove. But what
about you? Which would YOU choose? And why?

______________________________

*Fannie Farmer revised and published The Boston Cooking
School Cookbook
in 1896.

Read Full Post »

Although I appreciate modern conveniences in the kitchen,
I thoroughly enjoy cooking over an open hearth and using
the equipment, tools, and receipts (recipes) of centuries
ago. I’ve also cooked on a cast iron stove and have dealt
with its perks ‘n quirks. In fact, I wrote here awhile back
that my initial experience with historic cooking was done
atop an iron box of fire when I worked at Conner Prairie
more than two decades ago.

Now I mention this because I recently came upon a rather
intriguing passage regarding the “hearth vs stove” debate
in The Housekeeper’s Book, by a Lady (1837):

The fire-place of a kitchen is a matter
of great importance. I have not, it is
certain, been so circumstanced as to
witness the operations of many [sic]
of the newly invented steam kitchens
and cooking apparatuses which the
last twenty years have produced,
but those which I have seen, have
failed to give me satisfaction. To say
the truth, the inventors of cast-iron
kitchens seem to me to have had
every other object in view, but
that of promoting good cooking.

The above paragraph got me thinking. If I had lived at any
time in the 1800s after the cast iron cook stove had been
invented, even after they’d become fairly common, and if
by some chance I was given the choice between cooking
at a fireplace with its spacious hearth OR on one of those
self-contained new-fangled stoves, which would I have
chosen? HA! That’s such an EASY one! My answer most
definitely, unequivocally, would’ve been…the open hearth.
HUZZAH!

Yep, this is my preferred method of cooking:

Now, below is an illustration* of a cast iron cook stove that’s
kinda, sorta, almost-but-not-quite similar to the one I used
when working in the Campbell House at Conner Prairie. As
I recall, CP’s was a bit more rounded on the sides and edges,
but like this one, the firebox was in the front, and there were
four burners with an oven (but just one) at the back. A ledge,
much like the one here, stuck out in the front, as well, and
even the legs were similar, if not the same.
(I understand, however, that a completely different model
is currently in that kitchen.):

Sure, once I learned how to cook on the Campbell’s stove,
problems were few and far between. In fact, it was actually
fun to use. And I must say, I cooked a slew of marvelously
delicious dishes on it! Of course, the best part was that
I didn’t have to bend down so far in order to use it. Still,
other than that, what is there to recommend it? And thus,
based on my knowledge of, as well as my past experience
in using, both, I believe there’s a multitude of reasons for
preferring an open hearth. In fact, I can think of at least 12!
I’ll share the first six now; the second set will follow.

Let’s get started! The reasons for my preference include:

1.) People have been cooking over an open fire, literally,
for centuries. The fire came first, cooking over it second,
followed closely by the development of appropriate tools
and equipment to do so. Change the way cooking is done,
by trading an open fire for an enclosed one, and a whole
new set of equipment and tools is required. Those adorable
pots and pans with the three little legs and the ones with
the rounded bottoms can no longer be used. Yep, legless
and flat become the operative words.

2.) You can hang pots from either a lug pole or a crane
over an open fire. With a cast iron cook stove, you can’t.
In fact, there’s no hanging of any kind of any thing.

3.) Hot coals from a fire are pulled out onto the hearth,
thus creating a series of small areas of heat on which
to cook. The number of these “burners” is limited solely
by the amount of space in and surrounding a fireplace.
With a cook stove, however, you’re confined to the four
(or so) designated spots on the stove’s top. That’s it.

4.) In conjunction with the above, any number of dishes
can be baked in little ovens (aka bake kettles or Dutch
ovens) that’re set on those numerous “burners.” With
a cook stove, you’re again restricted, to just one oven.

5.) At the same time, that stove oven (above) is quite
small. You can really only bake one item at a time. Now,
if you also had a brick bake oven, then you’d be fine.
Thing is, many people didn’t have one.
(Yes, larger stoves may’ve had more than one oven,
several even, but I’m referring to the typical, every
day common-man buyer, i.e. someone with limited
funds, who couldn’t afford the larger models.)

6.) If you’ve been cooking over an open all your life,
and your mother, grandmother, aunts, etc. before you
did the same, and that is where you learned to cook,
including how to determine the proper heat, the types
of flames and their uses, the amount of time needed
for specific dishes, and so forth ‘n so on, then you’re
in for a Big Surprise, if and when a cast iron stove
shows up in your home. Why? ‘Cuz you’re gonna
have to re-learn it all. Start to finish, top to bottom.
So hopefully, you’ve got the time, the motivation,
and the stamina. And your family has the patience!
(Not to mention the stomach for all those “tried,
but didn’t work and/or got burned” dishes!)

____________________

UP NEXT: Six more reasons for preferring an open hearth
over a cast iron cook stove.

______________________________

* Drawing from Linda Campbell Franklin’s 300 Years of Kitchen
Collectibles, 5th Edition
(2003).

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For your enjoyment and edification: another 17th Century
painting that depicts a reflector oven. HUZZAH! This was
posted just today on Facebook by friend and fellow CP
alum (aka former Conner Prairie interpreter and thus,
an occasional 1836 “husband”…ahh, good times!),
the illustrious Terry Sargent.

The painting is attributed to Gillis Van Tibong (1625-1678).
I wanted to know more about the guy, so I googled his
name, but, alas, found nothing. I will keep looking, tho.
________

ARTIST UPDATE: I found two versions of the artist’s name,*
Gillis van Tilborch and van Tilborgh. Sometimes, both were
used in the same article. Not sure what’s up with that. He
was a prolific Flemish painter. Born in Brussels, he lived
most of his life there, although he did venture to England
to work on a commissioned family portrait. As to this work,
interestingly, its title is “A Barn Interior.” For more details,
check out this page from not-always-correct-Wikipedia or
here for additional paintings.

*Yep, I got it wrong above! dagnabit. Sorry ’bout that.
____________________

HUZZAH!

____________________

NOTE: To see the painting shown previously that depicted
a 17th Century reflector oven (“Number 1″), click here.

Read Full Post »

“Drink, friendly to Nature and accommodated to General
Use” was the topic last year of Deb Peterson’s annual
Historic Foodways Symposium. As usual, a hearth cooking
workshop was held afterwards, wherein dishes related
to the event’s subject were prepared. Participants toiled
happily at the two hearths in the kitchens of Pennsbury
Manor
, creating dishes that used a variety of “spirituous
liquors.” For my part, I teamed up with two fellow historic
food enthusiasts*, and together we made a trout dish
and a drink known as a posset
.

Now, for the posset, ideally we needed an authentic
posset pot. Or at the very least, a fairly reasonable,
period-correct, reproduction. Fortunately for us, we
had such a vessel, for one of our instructors, Nancy
Webster, had brought hers. Interestingly, she’d found
it on e-Bay. Apparently, a few years ago the cosmetics
company Avon had the pots made, and then they were
“awarded” to the Company’s top sellers. Who knew?!
Of course, I have to wonder what folks thought after
receiving one. Perhaps, “What the heck is THIS?!” and
“Just WHAT do I do with it?!” LOL In any event, one
such high-sales “gift” was eventually auctioned off,
it was purchased, and now it was to hold our posset.

So, to make this long story at least a tiny bit shorter,
since last spring, I’ve been yearning, and patiently
looking and waiting, for another Avon posset pot
to come up for bid on e-Bay. Then, lo and behold, it
recently did! I just happened to look one day, and
there it was; I bid, and I won! HUZZAH!

And so, without further ado, here’s my newly-acquired
reproduction posset pot:

Here’s the receipt we used during Deb’s 2011 Historic
Foodways Symposium at Pennsbury Manor (PA). It’s
taken from Robert May’s The Accomplisht Cook (1685,
5th edition):

To make a Posset simple.
Boil your milk in a clean scowred skillet,
and when it boils take it off, and warm
in the pot, bowl, or bason some sack,
claret, beer, ale, or juyce of orange;
pour it into the drink, but let not your
milk be too hot, for it will make the curd
hard, then sugar it.

I’m SO excited! I can hardly wait to use it. HUZZAH!!

____________________

*NOTE: I must give a hale ‘n hearty HUZZAH! to the members
of my hearth cooking team: Bill Martell of The Griffith Morgan
House, NJ; and Jacob Fish, of Long Island, NY.

Read Full Post »

UPDATE/Summer 2012: I found another link. HUZZAH!
Hopefully, it’ll work. Try it here. Good luck and enjoy!

____________________

NOTE: Apparently, this entire series has been pulled,
even from youtube. It’s unfortunate, as it was fantastic!
Possibly, parts may still be found on youtube, so my
suggestion is to look there. I’m disappointed, that’s
for sure! I apologize for any inconvenience.

_______________

I recently re-discovered a fantastic video series that I’d
like to share. Entitled “Tales from the Green Valley,” it
follows five historical experts as they spend 12 months
“living” in the year 1620 on an historical working farm
located along the Welsh borders (so yes, it’s British).
The work they do, the activities in which they engage,
and the challenges they face are all applicable to any
farm in any area during any pre-modern time period.
I hope everyone enjoys them as much as I do.

Comprised of 12 episodes, a playlist of the series exists
on youtbube, wherein one is shown right after another.
Believe me, this feature makes it much easier to view
each episode, rather than doing each one separately
and trying to figure out if E2P1-3 comes before or after
E1P2-5. Now, it will seem as if there are more than 12,
and there sorta are, because the playlist shows the
series in only 15 minute increments. It just means you
can watch as much or as little as you like. In the end,
believe me, it will be well worth it. I guarantee that
you will learn so much, and you’ll gain a very realistic
glimpse into 17th century farm life. HUZZAH!

______________________________

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As mentioned previously, the definition of “tin oven” in the glossary
of Prospect Books’ facsimile of The Art of Cookery, made [sic] Plain
and Easy
, by Hannah Glasse (1747), refers to the book’s page 91.
All the receipts on that page, which is one in a group of about 10,
are for fish. These pages, together with 32 others that contain
receipts for everything from soups to puddings to vegetables,
comprise the chapter entitled “For a Fast-Dinner, a Number of
good Dishes, which you may make use of for a Table at any
other Time.” In other words, all are dishes for those assorted
and numerous fast (meatless) days (such as Lent). Naturally,
as author Glasse points out, they could certainly be prepared
for any meal at any time.

Now, at first, I wondered, how is fish cooked in a tin reflector
oven? Do you spit it? However, fish tend to be rather thin, so
won’t it fall apart too easily? Or maybe
you simply tie it to the spit? Sounds
do-able, but seems a bit risky. I then
decided to return to the source, to
look closely at the specific receipt
(“Salmon in Cases”) referred to in
the glossary’s definition of “tin oven.”
A-Ha! I soon discovered that it doesn’t
involve cooking a whole fish! It merely
calls for pieces of fish to be wrapped in paper (“in cases”),
then placed on a tin plate and cooked in “a Tin Oven before
the Fire.”

OK. But, wait a minute. How do you cook a plate of anything,
let alone fish, in a reflector oven? Balance it on the spit? Seems
unlikely (and unwieldy!). Set in on the oven’s floor? That’d work,
I suppose, but won’t it be too low, in relation to the fire? OR,
perhaps a tin oven with a shelf would work? The type that’s
also set before the fire and is used for baking? The thing is,
the definition (mentioned above) didn’t include those. Does
that mean they didn’t exist in the mid-18th century? Or were
they just not widely used? It does seem, however, that if one
type of tin oven was available, then other kinds would’ve
been, as well.

Of course, the best way to find answers
to these questions was to conduct a few
experiments. Shortly thereafter, I did
just that, while cooking at the hearth
of The Israel Crane House. I made up
six (6) little “cases” of salmon, and
cooked half in the tin reflector oven
and half in the “baking” tin oven.

Now, unfortunately, I didn’t have any tin
plates, so I “cheated” and used a small store-bought toaster
oven aluminum baking sheet. I then put this “plate” of fish
on the bottom or floor of the reflector and on the upper shelf
of the other. I must say, it was quite exciting, and I eagerly
awaited the results!

Before I share my pictures of the entire process, I want to add
that the Crane House’s tin reflector oven is in good condition,
and is nice ‘n shiny. However, the shelved-tin oven is the exact
opposite; in fact, it’s downright grungy. I used it anyway, and,
bottom line, both worked really well. The only difference was
that the batch cooked in the shelved-oven took a bit longer.
I imagine, if it were as clean ‘n shiny as the other, the cooking
times would’ve been identical (or nearly so).

Here, now, my photos. Hannah Glasse’s receipt “Salmon
in Cases,” from her book The Art of Cookery, follows.

_______________

The salmon; I chose these steaks largely because I figured
they’d be easier to cut into uniformly-sized pieces. The store
had fillets, as well, but they were much larger, overall, and
the thickness of each was rather uneven. Of course, in the
end, it didn’t really matter, because I had to cut it up in small
pieces in order to ferret out a few elusive bones:

The salmon was cut up into pieces:

Several all-white paper bags became the “cases,” and each
sheet was generously buttered:

Salt, pepper, and nutmeg were mixed with the salmon, which
was then divided amongst the three papers:

The papers, with their salmon, were folded into neat little packets:

My “reasonable facsimile” of a tin plate (?!):

Just before everything was ready to be set before the fire,
melted butter was poured, and bread crumbs sprinkled,
over all the packets:

The Crane House’s tin reflector oven:

The “plate,” with its packets, was set on the floor of the reflector oven:

All was set before the fire:

Notice how the fire reflected off the back of the oven; when
I saw that, I knew for certain the fish would cook beautifully,
even though it was “way down” on the oven’s floor:

Lookin’ good!

Mmmmm…salmon, cooked to perfection:

__________

Following the exact same process with the second batch:

The baking style tin oven:

All set ‘n ready to cook:

Another successful round of “Salmon in Cases”:

As you see, fish can be cooked, and cooked well, in different
types of tin ovens. Both of my little experiments was a huge
success! And the final results were mighty delicious. HUZZAH!

_______________

Here is the receipt from The Art of Cookery, made [sic] Plain
and Easy
, by Hannah Glasse (London, 1747):

Salmon in Cases.
Cut your Salmon into little Pieces,
such as will lay rolled in half Sheets
of Paper; season it with Pepper, Salt
and Nutmeg, butter the Inside of the
Paper well, fold the Paper so as nothing
can come out, then lay them on a Tin
Plate to be baked, pour a little melted
Butter over the Papers, and then
Crumbs of Bread all over them. Don’t
let your Oven be too hot, for fear of
burning the Paper; a Tin Oven before
the Fire does best. When you think
they are enough, serve them up; just
as they are, there will be Sauce enough
in the Papers.

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On Facebook recently there was quite a lively discussion,
as well as plenty of oooohhhing and ahhhhhing, amongst
my assorted friends about the tin (or is it copper?) reflector
oven that’s depicted in the painting below:

Initially posted by Tammy DeLauter Fletcher, this is entitled
simply “The Cook.” It was done by the Dutch painter Gabriel
Metsu (1629-1667) and was most likely completed by him
at some point between 1657 and 1662.

Yes, you read that correctly: between the years 1657 and
1662. Indeed, Metsu was a mid-17th century painter.

Now, I’ll be the first to admit it: I thought these ovens were
only in use during the 19th, maybe the very late 18th, century
(at least here in America). I’m not really sure why. I’ve used
them often, but I’ve never really given it much thought. I’ve
never investigated whether they were available/used earlier.
Of course, I’ve done quite a bit of 18th century hearth cooking,
but my main focus has typically been the 19th. Not to mention,
that’s the time period in which I was initially trained (at Conner
Prairie
, back when the year 1836 was the focus). However,
based on this painting, apparently reflector ovens were
around, even as early as the mid-1600s.

At the same time, though, it IS a Dutch painting. So perhaps
reflector ovens were common in Europe, even during the 17th
century, but were they also used on this side of the pond? It
seems likely that they may’ve been imported. Or perhaps they
were made here. However, I think it is generally believed that
being a tinsmith was more of an 1800s profession. You know,
due to British control of manufactured goods, that sort of thing.
Or, perhaps not? It’d definitely be interesting to research this
further, and to look at store inventories, newspaper ads, ship
records, and other assorted documents, to see if, and when,
such ovens were made in, or transported to, the colonies.

In any event, when this painting and the ensuing discussion
took place on Facebook, I remembered a passage I’d read
in Prospect Books’ facsimile reprint of Hannah Glasse’s book,
The Art of Cookery, made [sic] Plain & Easy (1747). In the
glossary is this definition (and illustration) of “Tin Oven”:

The reference to a tin oven, [on page] 91,
is to the ‘Dutch oven’ which was in common
use and which stood in front of the fire. The
food being cooked was exposed to direct

(c) Prospect Books 1995

heat and also to reflected heat from the polished
tin interior. A door in the back could be opened
to permit viewing and basting.

Now, what’s interesting is that all the receipts on page 91
in Glasse’s book are for fish, and only one specifically calls
for cooking the dish in “a Tin Oven.” It’s the receipt “Salmon
in Cases.” The instructions say to wrap salmon pieces in paper
and “lay them on a Tin Plate.” It then states that “a Tin Oven
before the Fire does best” (I imagine as opposed to a brick
bake oven). Which, of course, obviously means that the fish
is NOT put on the spit!

So, in a typical tin reflector oven, where would you put a plate
of fish “in cases”? On the floor/bottom of it? But that puts it too
low in relationship to the fire, yes? So, in order to gain some
height, could the plate perhaps be balanced on top of the spit?
Could that work, would it stay securely? (I’m thinking maybe,
but not likely?) Then I thought, “Well, perhaps Glasse means
one of those tin ovens with a shelf? The ones that’re often
used for small breads (either loose or in a pan)?” And if so,
does that mean those types of tin ovens were also around
in the early to mid 18th century? Makes perfect sense, yes?
Or no? And so, is there possibly a slight problem with this
glossary’s definition of “Tin Oven”: i.e. it’s not JUST the ones
with a spit and basting door, but it’s also other types?

Luckily for me, I was scheduled to cook again at the hearth
in the kitchen of the Israel Crane House on Sunday, March 1,
which meant I’d be able to conduct my own experiments.
I could figure out just how this fish receipt was to be
cooked. What fun!

So, stay tuned!

_______________

UP NEXT: Experiments in cooking fish in reflector ovens

____________________

For more information about Gabriel Metsu, his life, this painting
and other works, check out this site.

Read Full Post »

Just after the first of the year, I discovered some nice little blue and
white china bowls at the online gift shop of Monticello. They were
also on sale, so I purchased a couple. At the same time, I noticed
that a calendar with scenes from around Jefferson’s former hilltop
home was available, so I had one thrown in with my order.

Of course, by the time everything arrived, I’d missed a good chunk
of January and its accompanying photo. However, for the entire
month of February, I got to gaze at this lovely scene:

Ahh, wonderful! The kitchens at Monticello. What could be better?!
HUZZAH!

And then, I looked closer and suddenly noticed something rather
interesting. See the copper pitcher-like pot, with the flip-up lid
and three cast iron legs over on the upper right-hand side
of the above photo? Here, this one:

Well, good golly Miss Molly, I have one just like it!

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Here’s one last photo from my most recent “toss or keep” trek
through my camera:

I really like these little pots. They’re just so cute! This one is fairly
small, but it’d be perfect for various tasks, whether making a fancy
sauce or simply melting a bit of butter.

I’ll probably need to have this re-tinned before I can use it, though.
Fortunately, there’s a company in New Jersey that’ll take care of
that for me. HUZZAH!

Now, if I could just remember the company’s website address…!
Hmmm, what did I do with all that information?

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Yep, more photos from the depths of my camera. I find pieces
like this extremely fascinating. Of course, I can only guess as
to its use and origin. Even so, it’s always a thrill to come upon
some woodcut, painting, or whatever, wherein a similar pot,
or just an element of one, is depicted.

____________________

from The Opera of Bartolomeo Scappi (1570):

also from Scappi:

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